William Wordsworth and his sister, Dorothy, were so close that not only did they live together for the majority of their lives, al hotshot in addition they distri butively considered the any(prenominal) new(prenominal) to be his or her closest confidante and inspiration. Like Wordsworth and his other close associate, Samuel Taylor Coleridge, the alliance between William and Dorothy can be seen in each of their literary works. This is no to a greater extent(prenominal) than evident than in Williams I wandered l ace(prenominal) as a cloud and Dorothys April 15, 1802 published daybook entry. somewhat(prenominal) of these works describe a field of daffodils, one in song, one in prose. Â Â Â Â Â Â Â Â The similarities between the two depictions of Dorothys possess ar not difficult to see. For instance, the subject matter, the basic course of compositors cases, and some word choices in the two renderings are identical. However, when one looks walking(preno minal) at these two works, the smaller, less obvious, similarities become noticeable. For example, both Dorothy and William meet to the daffodils as dancing in the wind, Williams daffodils dancing in the breeze, enchantment Dorothys danced and seemed as if they verily laughed with the wind that blew upon them. (Norton, 186, 293-294) Also, both describe the heads of the daffodils, kind of of say, the tops, or buds. The difference in this is, however, that Dorothy Wordsworth has her daffodils rest [ing] their heads upon these stones as on a pillow for weariness (Norton, 293) while William Wordsworth, in a quite an different vein, has his daffodils Tossing their heads in a sprightly dance, which is also some other reference to the dancing of the daffodils. (Norton, 186) Â Â Â Â Â Â Â Â As for which rendition of this mild event I prefer, I must say that I interpret Dorothy Wordsworths description much better. She seems to speak more to me; her yarn has more truth in i t than I feel is in Williams. I suppose tha! t, beyond this make out belonging to Dorothy, poetry is more confusing from the outset to anyone because one has to look at other factors such as word choice, placement, metaphors, etc., while Dorothys more traditional prose style is more a care a parley with a real person. Â Â Â Â Â Â Â Â The things that I like about Dorothy Wordsworths theatrical bureau as opposed to Williams are her ability to make the experience seem more soothing and tranquil than William is in his poem. In I wandered lonely as a cloud, the mood seems more happy, excited, and joyous than Dorothys journal entry.

He repeats the word dance, uses words like fluttering, glee, gay, and tells his readers how whe n he gets into a pensive mood he indicate only think of that field of daffodils to make him happy and zaftig again. What I like about Dorothys rendition is her ability to upchuck the words into a flowing wave, like when she says, about the width of a country turnpike road. I never sawing automobile daffodils so beautiful they grew among the mossy stones. . . (Norton, 293) It strikes me that she is trying to set a mood. Her mood is not exhilaration or excitement but rather complacency, or a thoughtful pondering. The way that she leaves the daffodils on page 294 again proves this: There was here and there a little knot a a a couple of(prenominal)(prenominal) stragglers a few yards higher up but they were so few as not to disturb the simplicity and unity and life of that one busy highway. (Norton, 294) After seeing the way that she leaves these innocent, beautiful flowers from which she learn some pleasure, it is obvious that Dorothy wrote for herself, and not an a udience, like her brother William. ! If you rely to get a full essay, order it on our website:
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